List

A REESE’S BOOK CLUB PICK | A NEW YORK TIMES BESTSELLER

“Broken Country by Clare Leslie Hall is an unforgettable story of love, loss, and the choices that shape our lives…but it’s also a masterfully crafted mystery that will keep you guessing until the very last page. Seriously, that ending?! I did not see it coming.” —Reese Witherspoon

“Stirring and mysterious…fires directly at the human heart and hits the mark.” —Delia Owens, New York Times bestselling author of Where the Crawdads Sing

A love triangle unearths dangerous, deadly secrets from the past in this thrilling tale perfect for fans of The Paper Palace and Where the Crawdads Sing.

“The farmer is dead. He is dead, and all anyone wants to know is who killed him.”

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

As Beth is pulled back into Gabriel’s life, tensions around the village rise and dangerous secrets and jealousies from the past resurface, this time with deadly consequences. Beth is forced to make a choice between the woman she once was, and the woman she has become.

A sweeping love story with the pace and twists of a thriller, Broken Country is a novel of simmering passion, impossible choices, and explosive consequences that toggles between the past and present to explore the far-reaching legacy of first love.

Kevin Wilson’s best book yet—a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with remarkable and disturbing abilities

Lillian and Madison were the unlikeliest of roommates at their elite boarding school: Madison, the daughter of a prominent Atlanta family, being groomed for greatness; Lillian, a scholarship student, plucked out of nowhere based solely on her intellect and athletic prowess. The two were as tight as could be, reveling in their unique weirdnesses, until Lillian had to leave the school unexpectedly.

Years later, the two have lost touch, but Madison writes and begs Lillian for help. Her husband’s twin stepkids are moving in with them and she wants Lillian to be their caretaker. However, there’s a catch: the twins can spontaneously combust when they get agitated, flames igniting from their skin in a disturbing but beautiful way.

Disbelieving at first but ultimately too intrigued by these strange children, Lillian agrees. And as they hunker down in the pool house, Lillian and the twins learn to trust each other—and stay cool—just as Madison’s family is bracing for a major announcement. It all seems impossible to manage, but Lillian soon accepts that she and the children need each other, urgently and fiercely.With a white-hot wit and a big, tender heart, Kevin Wilson has written a most unusual story of deep parental love that proves to be his best book yet. 

The New York Times bestseller by the author of The Bone Clocks and Cloud Atlas - Named One of the Best Books of the Year by San Francisco Chronicle, NPR, Los Angeles Times, The Guardian, The Telegraph, National Post, BookPage, and Kirkus Reviews

Keep your eyes peeled for a small black iron door.

Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you'll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won't want to leave. Later, you'll find that you can't. Every nine years, the house's residents--an odd brother and sister--extend a unique invitation to someone who's different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it's already too late. . . .

Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story--as only David Mitchell could imagine it.

Praise for Slade House

"A fiendish delight . . . Mitchell is something of a magician."--The Washington Post

"Entertainingly eerie . . . We turn to [Mitchell] for brain-tickling puzzle palaces, for character studies and for language."--Chicago Tribune

"A ripping yarn . . . Like Shirley Jackson's Hill House or the Overlook Hotel from Stephen King's The Shining, [Slade House] is a thin sliver of hell designed to entrap the unwary. . . . As the Mitchellverse grows ever more expansive and connected, this short but powerful novel hints at still more marvels to come."--San Francisco Chronicle

"Like Stephen King in a fever . . . manically ingenious."--The Guardian (U.K.)

"A haunted house story that savors of Dickens, Stephen King, J. K. Rowling and H. P. Lovecraft, but possesses more psychic voltage than any of them."--Pittsburgh Post-Gazette

"Tightly crafted and suspenseful yet warmly human . . . the ultimate spooky nursery tale for adults."--The Huffington Post

"Diabolically entertaining . . . dark, thrilling, and fun . . . a thoroughly entertaining ride full of mind games, unexpected twists, and even a few laughs."--The Daily Beast

"Plants died, milk curdled, and my children went slightly feral as I succumbed to the creepy magic of David Mitchell's Slade House. It's a wildly inventive, chilling, and--for all its otherworldliness--wonderfully human haunted house story. I plan to return to its clutches quite often."--Gillian Flynn, #1 New York Times bestselling author of Gone Girl and The Grownup

"I gulped down this novel in a single evening. Painstakingly imagined and crackling with narrative velocity, it's a Dracula for the new millennium, a reminder of how much fun fiction can be."--Anthony Doerr, author of All the Light We Cannot See, winner of the Pulitzer Prize

"David Mitchell doesn't break rules so much as he proves them to be inhibitors to lively intelligent fiction."--#1 New York Times bestselling author Dean Koontz

New York Times Bestseller
Winner of the Women's Prize for Fiction
World Fantasy Awards Finalist

From the New York Times bestselling author of Jonathan Strange & Mr Norrell, an intoxicating, hypnotic new novel set in a dreamlike alternative reality.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

For readers of Neil Gaiman’s The Ocean at the End of the Lane and fans of Madeline Miller’s Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.

New York Times Bestseller!

A stunning graphic memoir recounting actor/author/activist George Takei's childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love.

George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future.

In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard.

They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future.

What does it mean to be American? Who gets to decide? When the world is against you, what can one person do? To answer these questions, George Takei joins co-writers Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post).

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. 
 
Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. 

In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.

From one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking back

Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed.

Moving from a Sri Lankan boarding school to Molière’s chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.

From his poem "His chair, a narrow bed, a motel room, the fox":
At the Hacienda Motel in Los Angeles Sam Cooke was shot dead.
‘See that shadow on the wall . . .’ All those motels and hotels
in literature and song, where X wrote this,
where Y got drunk, where Z overdosed.
The one Hank Williams was driven past, dead already in his car.
The Slavianski Bazaar Hotel in "The Lady with a Dog,"
where Dmitri imagines their dark but hopeful future.
The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud.
The Casa Verdi in Milan, where retired opera singers were welcomed
along with various heteronyms of Fernando Pessoa in their afterlife.

NEW YORK TIMES BESTSELLER * From former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering over fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him "America's favorite poet."

The Rain in Portugal--a title that admits he's not much of a rhymer--sheds Collins's ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical--"the dogs of Minneapolis . . . / have no idea they're in Minneapolis"--to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, Collins here contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry.

Praise for The Rain in Portugal

"Nothing in Billy Collins's twelfth book . . . is exactly what readers might expect, and that's the charm of this collection."--The Washington Post

"This new collection shows [Collins] at his finest. . . . Certain to please his large readership and a good place for readers new to Collins to begin."--Library Journal

"Disarmingly playful and wistfully candid."--Booklist

NOW A MAJOR MOTION PICTURE STARRING CILLIAN MURPHY

A New York Times Bestseller - Shortlisted for the 2022 Booker Prize - Winner of the Orwell Prize for Political Fiction

One of the New York Times's 100 Best Books of the 21st Century

"A hypnotic and electrifying Irish tale that transcends country, transcends time." --Lily King, New York Times bestselling author of Writers & Lovers

Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church.

An international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

Finally a novel that puts the "pissed" back into "epistolary." 
Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work"Accountant in a Bordello," based on Melville's"Bartleby." In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend"Dear Committee Members"to you in the strongest possible terms."